吶喊的螞蟻 THE SCREAM ANT
每一個平凡，都值得被看見。 Every ordinary life deserves to be seen.
十六萬顆積木，
如何讓情緒有了形狀。
160,000 bricks —
how a mass of tiny parts gives emotion a shape.
一隻原本微不足道的工蟻，化作 2.5 米高的積木巨構，定格成一聲無聲的吶喊。十六萬顆積木，猶如十六萬份渺小，匯聚成磅礴的共鳴。
積木是「物理體素」：世間所有的宏大，皆由千千萬萬微小單元砌成——每一顆看似相同，卻獨一無二。蟻群的秩序與協作，是一套真實運轉的史詩。正因每隻都各司其職，方有超越個體的偉大。
那聲吶喊，是一則邀請——偉大之中，有我們每一個。當你與牠對望，被看見的不只是螞蟻，更是你習以為常、卻從未真正注視的每一個平凡——牠們，都值得被世界看見。
作品實體高 2.5 米、寬 1.08 米、深 0.96 米。
A worker ant, once so insignificant as to be overlooked, is transformed into a 2.5-metre brick monolith, frozen into a silent scream. 160,000 bricks — like 160,000 fragments of smallness — converge into a resounding resonance.
Bricks are 'physical voxels': every grandeur in this world is built from countless tiny units — each one appears the same, yet is one of a kind. The order and cooperation of the ant colony is an epic that truly runs: it is precisely because each plays its part that greatness beyond the individual is born.
That scream is an invitation — within greatness, there is each of us. When you meet its gaze, what is seen is not only the ant, but every ordinary thing you take for granted yet have never truly looked at — and they all deserve to be seen by the world.
The work stands 2.5 metres high, 1.08 metres wide and 0.96 metres deep.
他們怎麼看。 In their words.
DJ Liu DJ Liu
「從熒幕、教室，到一塊塊積木——對我而言，這不是轉型，而是同一條路在不同媒介上的延續。」 "From screen to classroom to brick — for me this is not a pivot, but the same path continued through different media."
中央美術學院客座教授、博士，香港美協會員，專注 AI＋數碼藝術及沉浸式互動創作的跨界創作者與研究者。深耕人工智能藝術、VR/AR 虛實互動、數碼影像與遊戲化藝術設計，以 AI 演算法與大數據為核心，融合科技與當代藝術美學，專注虛實結合、可互動、沉浸式的創新藝術創作。Visiting Professor at the Central Academy of Fine Arts, PhD, member of the Hong Kong Artists Association. A cross-disciplinary artist and researcher specializing in AI + digital art and immersive interactive creation. His work spans AI art, VR/AR mixed reality, digital imagery, and gamified art design — fusing technology with contemporary aesthetics through AI algorithms and big data.
曾創作「三坊七巷」、「火種 1929」、「花海」等互動設計作品，參與外交部福建全球推介活動、《香港：百年偉業》大型主題展覽，以及香港文聯、中國美術家協會香港會員分會、香港美協主辦的《江山如畫》大型聯展。His interactive works include “Sanfang Qixiang,” “Spark 1929,” and “Flower Sea.” He has participated in the Ministry of Foreign Affairs’ global promotion of Fujian, the major thematic exhibition “Hong Kong: A Century of Greatness,” and the large-scale group exhibition “Landscapes as Paintings” hosted by the Hong Kong Federation of Literary and Art Circles, the CAA Hong Kong Members Branch, and the HKAA.
外界常以遊戲產業先行者、教育數碼化推手、藝術收藏家等標籤形容他，但這些都只是切面。從任何一個標籤出發，都不足以描繪完整的他。與其說 DJ 是傳奇，不如說是一種長期狀態：一種持續而穩定的好奇心。看電影、研究敘事；砌積木、拆解結構；欣賞藝術、感受形式與比例。驅動他跨領域持續創作的正是這份長久不變的好奇心，從遊戲、教育到藝術，始終一脈相承，對敘事與哲學的思考，源源不斷化為創作靈感。The world often labels him — a gaming pioneer, a driver of digital education, an art collector. Yet these are only facets. No single label can capture the whole of him. Rather than a legend, DJ is better understood as a long-term state: a continuous and stable curiosity. Watching films and studying narrative; building with bricks and taking structures apart; appreciating art and feeling form and proportion. It is this enduring curiosity that drives his cross-disciplinary creative practice — from games to education to art, a single unbroken thread, where reflection on narrative and philosophy flows ceaselessly into artistic inspiration.
下一站，上海西岸。 Next stop: West Bund, Shanghai.
展覽歷程 · 首展：《守正創新》—— 香港美術家慶祝中華人民共和國成立 77 周年作品展，香港中央圖書館，2026 年 9 月 24 至 30 日。Exhibition history · Debut: Upholding Fundamental Principles and Pioneering Innovation — Hong Kong Artists' Exhibition for the 77th Anniversary of the PRC, Hong Kong Central Library, 24–30 Sep 2026.
砌建紀錄：
從一塊塊積木，到與你相遇。
The making-of:
brick by brick, until it meets you.
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